4efe85b6bfc7cd02664a4ddf9a39af64b821e15b
5
Commits
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9aeb6c39c7 |
player bar: one row, aligned to the sidebar's column, and it says who is sending
88px becomes 62px and the two stacked rows become one. The 26px goes back to the content area on every screen, and the scrubber stops capping at 560px while the flanks stretch — a 1900px window used to put a small waveform adrift in the middle of an empty bar. The cover is 40x40 at 12px of padding, which lands its centre on x=40: the column every sidebar cover and nav icon already shares, and which the sidebar holds through its entire collapse. It was 56px at 16px, centre x=52 — twelve pixels out of a column the app is otherwise strict about. The waveform is drawn as discrete bars on the Now Playing rail's exact pitch, a 2px bar on a 4px gap with a 1px radius, both deriving their count from that one pitch so neither can drift from the other. Mirrored here, where the lane is short and wide; the rail stands its bars on the floor because it sits above a caption. The standing white playhead went with it — at this pitch it read as a seam through the bars, and the accent's own leading edge marks the position. Artist and album share one line as "Artist · Album", the `.who` idiom from the album page rather than a new one. They are read from the queue item's OWN artist/album fields now: `sub` is a display convenience that the album continuation fill writes as a bare artist while carrying the album right alongside, so a record played straight through lost its album name from the second track on. When the line must shrink the ALBUM shrinks — proportional shrinking turned a short artist into "Po…", which saves nothing and reads as nothing. New: the source line. Who is sending this track, how much has arrived, how fast and how long is left, then the format. Four states, derived exactly as NowPlaying derives its status line — two surfaces disagreeing about whether a track is cached would be worse than either being wrong. A library file reports NOTHING, because it has no peer and no transfer and zeroes would read as a stalled one. It sits in its own slot rather than inside the meta cluster: sharing that budget let a live transfer readout crowd the artist and album down to "Po… · Terrestria…". Its width is measured per STATE and never per value, so a ticking percentage and a counting-down ETA move nothing. The now-playing panel toggle is gone from the shelf — the panel carries its own collapse control, and two ways to do one thing is one too many. What replaces it is a single overflow menu, so landing lyrics, a mini player and output switching later costs no width; those three are present and disabled, marked SOON, rather than wired to nothing. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
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e334cd51c2 |
now playing: collapse to a rail, and rebuild the panel around the record
The right-hand panel disappeared when you closed it. It collapses to a rail
now, exactly as the left nav does -- same 0.28s curve, same crossfade clock
for its contents -- so the record, its progress and its transfer stay on
screen at 64px instead of sliding off.
THE RAIL carries the album as a full-height bleed behind a real glass bar
(the app's own recipe: rgba(20,20,24,.28), blur(12px) saturate(1.7), 46px),
with the expand chevron in that bar, a left-edge progress line, the cover,
an equaliser while playing, stacked icons badged with what is behind them
-- tracks left, releases -- and the title set vertically.
THE PANEL stops saying "Now playing", which was the only permanently
visible line it had and told you nothing. It names what you are playing
FROM, and carries the transfer as a hairline along the glass bar's bottom
edge -- the same object in both states, so a download reads identically
whether the panel is open or collapsed. The hairline fills linearly (it
tracks progress rather than easing past it), sweeps indeterminately while
there is no byte count to be honest about, and fades out when cached rather
than sitting full forever. Hovering the header drops the whole detail:
peer, transferred, rate, and saving what you are streaming. A library track
has no peer, so none of it appears -- zeroes would read as a stalled
transfer.
Below the record, one long undifferentiated scroll becomes four shallow
panes -- Queue, Lyrics, Artist, About -- behind a sticky segmented control.
Sticky because keeping your scroll position across a switch is worthless if
the control you just used has scrolled out of reach. Queue gains an up-next
card, library ticks, and per-track Last.fm listeners past 396px; Artist has
the artist as one full-width pill whose figures spread once there is room,
the same branded social circles the artist page draws, releases with Show
all, and fans-also-like; About carries the record's description and the
album page's RELEASED block verbatim, so a record reads the same in both
places. Lyrics is a placeholder -- there is no source in the app and
pretending otherwise would be worse than saying so.
The panel is drag-resizable from its left edge, 272-560, with a 10px magnet
at the default and a width tag while dragging; the width is remembered,
because one you set by hand and lost every launch is worse than not being
able to set it.
Five things this fixed on the way, four of them mine:
- `playerArtSource` resolved a "better" cover by ARTIST + TITLE. A name
cannot identify a record: every self-titled Weezer album is "Weezer", the
resolver returned whichever one the provider answered with, and all of
them played back showing the Green Album's art. The substitution is gone;
the record's own asset is rewritten to its 1000x1000 variant instead --
a real quality win, no identity risk, and more than the panel needs even
at its widest. Verified: Blue and Green now resolve to their own hashes.
- The panel body was torn down 300ms after closing, an optimisation from
when it slid off-screen. The rail shows that artwork, so it blanked the
rail's cover and its bleed.
- An inline --nowplaying-width would have outranked the collapse rule and
made the panel un-collapsible; the dragged width goes through a
--np-open-width indirection instead.
- The segmented control was an opaque strip painted straight over the album
bleed, reading as a grey band across the artwork. It is glass now.
- The waveform was a picture of a scrubber with no way to seek, while the
player bar carried the only one. It seeks now, on the same semantics
(75ms throttle dragging, exact seek on release), and the second time
reads remaining rather than total -- the total is already implied by the
bar's length.
`soulseek:stream` reports {received, total, done} and no rate, unlike the
download path's speed_bps, so the speed behind the hairline is measured
here: a rolling 1.5s window, because a per-event delta reads as a number
flickering between 0 and several MB/s rather than a speed. There is
deliberately no "queued at peer" state -- the streaming path reports no
queue place, and the panel will not claim to know one.
`discovery` keeps the artist page's socials rather than discarding them;
they were already being fetched. 29 CSS rules for the removed sections are
gone with them.
Verified in the running app over CDP: collapse to exactly 64px and back,
rail contents and bleed at blur(17px), all four panes, sticky segments,
social chips carrying the artist page's own brand tints, the release grid
going to three columns past 430px and the pill's stats spreading past
372px, and About reading "Released May 9, 1994 - 10 tracks - 41 min / DGC -
Alternative Rock". 85 JS tests pass, production build clean with no unused
selectors. The drag gesture itself is not CDP-drivable and wants a
hands-on check.
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7a517dca59 |
navigation: one glass bar for every page, with a history and a path in it
The glass bar was copied into two views and each carried its own contextual
back link — "Results" on the artist page, the artist's name on the album page.
It is a shared component now (src/components/GlassBar.svelte), and it carries
the app's navigation: back/forward arrows, and the trail to where you are.
**History and the trail are different things, and the file keeps them apart.**
History is a SEQUENCE — every place visited, in order — and it drives the
arrows. The trail is a HIERARCHY, derived from the current place, never from
history. That is why switching between two editions of a record adds a history
step but does not add a crumb: a breadcrumb built out of history would read
`Search › Weezer › Blue Album › Deluxe Edition`, which says the deluxe sits
inside the original. It does not.
Crumbs improve in place. An artist page opens on an id and learns its name and
portrait a moment later, so the crumb starts as a placeholder and is refreshed
through ONE call site (`rememberArtistSeed`), guarded so remembering a seed for
a row in some list can never rewrite where you are. Search results are the
journey's root rather than a bare "Search" — the crumb reads “weezer”, which
is the thing you actually want to get back to.
Arriving crumbs slide in from the right; only genuinely new ones animate, so an
ancestor that was already there does not re-run its entrance when the tail
changes. Chosen from four motions mocked against a real navigation stack.
Every navigation now goes through a recorder. A bare `ui.view = "…"` is a
destination the back arrow can never return to, so the sidebar routes through
`goToView` and the catalog openers record on arrival.
**Scroll position is remembered.** Going back returns you to the paragraph you
left; arriving somewhere new starts at its top. The difference is exactly
whether the move came from the arrows/trail or from a fresh click. Two details
that mattered: the offset is captured at the START of a navigation, because the
scroll pane outlives the view swap and by the time a page has been replaced its
scrollTop already belongs to its successor; and restoring is not one assignment
— the artist page paints a skeleton, then an overview, then the full
discography, so a single `scrollTop = 900` clamps to whatever height exists in
that frame and lands near the top. It re-applies until the target is reachable
and gives up the instant the reader touches wheel, key or trackpad. The album
page never reset its scroll at all, so a record opened from half-way down an
artist page began half-way down; it does now.
**The artwork lightbox serves any cover.** It was hardwired to the playing
queue item; `ui.fullscreenArt` (a boolean) is now `ui.artwork` (a descriptor),
so Now Playing, the artist page's expander rail and the album hero all open the
same viewer with their own `{src, local, title, subtitle}`. Each passes the
UPGRADED cover rather than the sized variant it paints — the point of the
viewer is the master resolution.
Hovering artwork offers it: the whole element lifts under a light wash with the
expand mark centred. `transform`, not a width change — on the album page the
copy column is sized to end level with the artwork, so a reflowing hover would
twitch the entire hero. The three numbers (--art-grow 1.035, --art-motion
160ms, --art-wash) live in global.css rather than being typed into three files.
Now Playing's corner expand disc is gone: one gesture for "open this artwork"
everywhere instead of a disc in one place and a lift in the others.
On the artist page the expander's album NAME now opens that record's page.
Also removed: the album page's scroll-triggered title takeover. The breadcrumb
names the record permanently, which made it redundant — the build was already
flagging its CSS as dead.
**And the fix this session actually turned on.** Kyle reported the album
tracklist's counts as "heavily glitched": Pinkerton showed El Scorcho at 636
listeners beside Tired Of Sex at 606,324. Switching the column from plays to
listeners changed nothing, because both were wrong for the same reason.
`artist.gettoptracks` returns a popular song many times over — once as itself,
then again for every "(Album Version)", live cut and remaster — listeners
descending. The fold meant to keep the first entry, and its comment said so,
but it was written `if by_key.insert(k, v).is_some() { continue }`.
`HashMap::insert` returns the previous value AND STILL OVERWRITES, so the guard
correctly skipped the ranked push while letting every later duplicate win the
map the album tracklist reads. The last re-listing — the most obscure pressing
— is what reached the screen.
Measured against the live API for Weezer: Buddy Holly is rank 1 at 2,351,642
listeners and rank 679 as "(Album Version)" at 1,919; the page printed 1,919.
My Name Is Jonas 1,100,251 → 870. El Scorcho 654,071 → 636. Pink Triangle
810,659 → 6,070. Only songs Last.fm lists exactly once — "Tired of Sex",
"Across the Sea" — were ever right, which is why the column looked plausible in
places and absurd in others. Twenty-four entries for "The Good Life", twenty
for "El Scorcho".
The fold is now `fold_lastfm_duplicates`, pinned by two tests using those real
figures. It also repairs Popular's plays and the album totals, which read the
same map. The tracklist column shows listeners in both places it appears — the
album page and the artist page's expander — because leaving one on plays would
have let one record disagree with itself.
152 Rust tests and 85 JS tests pass.
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2eb1cf57e3 |
artist page: compositor scroll pipeline + final hero design (crossfade twins, mirror seam, bloom retired)
Scroll-driven animation conversion - apply() writes nothing per frame on the supported path; the hero squeeze, fade line and header curves all ride scroll-driven animations on the compositor. - Section boundaries flip via IntersectionObserver sentinels; the scroll listener is gone from the hot path. - The scrollbar thumb rides its own scroll-driven animation. - @supports-not fallback keeps the previous rAF --p path verbatim, so unsupported engines render identically. - Curves verified exact to 1e-6 against the old path, 0.000px continuity across boundary flips, correct retarget on resize. Perf fixes - Forced-layout reads pulled out of both scroll handlers. - Resize settle-reflow: a second reflow 200ms after resize quiesces, and the pane is observed too. This was the root cause of the fullscreen fade-wedge and of the long-standing intermittent where rows stayed hidden after a resize. Glass - backdrop-filter removed from chips and preview surfaces. - Bar glass blur 20 -> 12. - Choose-hero pill removed from the UI; pickArtistHero/clearArtistHero backend is untouched and the control can be re-homed later. Hero design (final) - Crossfade twins are permanent. Twin blur is baked via bakeBlur() (clamp-to-edge pad -> blur -> crop) so the frames stay pixel-aligned with no edge fringe and no geometry scaling. - Bloom strip retired everywhere; HeroGpuCanvas's internal bloom canvases are hidden by one scoped rule and the component is unchanged. - Seam is a pure mirror: the artwork's top strip flipped inside the glass band, clipped at the bar's top line, riding the squeeze with the hero and dissolving in lockstep on rotation. - GPU twin overlay crossfades on rotation instead of snapping — the incoming baked frame fades in on hero-banner-in with a 2-frame cap. - ~930 lines of experimental variants and the perf-flag system deleted; the surviving path is a pixel no-op against the approved configuration. Debug overlay - PERF/SEAM rows dropped; the overlay keeps stats plus an FPS/drops/worst counter (Ctrl+Shift+D). |
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a667b4b28e |
Baseline: full tree snapshot after git repository loss
The previous .git directory was found gutted (only info/ remained), so history is unrecoverable locally. This commit restores version control with the tree exactly as it stands: the working app, the preview-tracks launcher on the artist hero, the scrollable-track-previews design bundle (docs + approved mockups), and the Phase 0 validation artifacts. |