Commit Graph
7 Commits
Author SHA1 Message Date
KeelrLeek 69f64c11eb previews: the glow goes, the eq steps, and every clip lands before you scroll to it
The track preview modal could hold a machine at 25% GPU. Three separate
causes, each measured in isolation with a kill-style ladder and, once the
GPU-engine counter proved to be clock-relative (a lighter workload read
HIGHER), with clock-immune process CPU-seconds.

Idle drain. The scrim's backdrop-filter is re-executed on every presented
frame -- a backdrop filter is never cached -- so its cost is presents/sec
times window area. Two infinite animations kept the modal presenting at the
display's refresh rate forever: the eq capsule's bars animated `height` (a
layout property, so style/layout/paint on the main thread every vsync) and
the cover glow's halo-breathe kept a blur(48px) copy recompositing. Either
one alone kept the pipeline hot, which is why killing one changed nothing.
The glow is deleted outright at Kyle's request; the eq bars now scale with
a stepped transform whose three delays are multiples of the step interval,
so all three jump on the same instants and one present serves them all.
Playing steady state: 7.2-10.5% of a core down to 1.4-2.2%. Paused: 0.2%.

Scrolling. The animations turned out to be innocent here -- reverting them
moved the number not at all. The cost was per-step work: re-decoding the
full artwork for the background wash, a main-thread accent scan, a new
cover mount, three times a second. The wash is now a 96x58 canvas with the
blur/saturate/brightness baked in at draw time and cached per artwork, and
an overlay preloader walks the manifest once at open -- nearest to the
active card first, capped at 60 -- filling the decoded-image, wash and
accent caches ahead of the user. A rapid-nav jump-cut was tried and
rejected on sight; the animations stay full at every rate.

Backend. preview_resolve swept the clip directory on every call, and any
landing outside the +/-1 prefetch window paid a full Deezer mint, download,
validate, write and loudness measure. The fetch-store-measure core is
factored out and a new preview_prewarm walks the session's track ids at
open, paced 250ms on top of the existing Deezer throttle and starting 1.5s
in so the first clip owns the network, halted by a generation guard on
dispose. A burst landing on a never-visited track is now audible in 154ms
off local disk. The sweep is throttled to ten minutes, and dispose deletes
prewarmed files instead of orphaning them until the hourly reap.

The debug overlay's GPU row was summing the counters machine-wide, so it
read roughly double the app's share with Discord and DWM folded in. It now
reports `app X% - sys Y%`, the app figure restricted to our process tree,
matching Task Manager's per-process rows.
2026-08-01 07:11:17 -05:00
KeelrLeek fa3cbc64ca loudness: a prefix may lower a track's volume but never raise it
A track that opens on a lone guitar and swells into a full chorus played that
chorus far too loud. The head of an unmeasured stream was being treated as a
measurement of the whole song: at ten decoded seconds the analyzer's running
integrated value became the gain for the entire play, and a quiet opening
under-reads, so the estimator asked to turn the track UP and the song then
arrived at its real level already amplified. `PRELIM_MAX_BOOST_DB = 3.0`
bounded that mistake without preventing it, and the three decibels land
exactly on the loudest part of the song.

Measured on the 69 complete tracks in the stream cache, with the app's own
meter and its own gain policy, comparing what the 10 s head asks for against
what the finished track asks for:

    prefix error in applied gain (+ = plays too loud)
      1s   min -4.6  p50 +7.7  p95 +15.8  max +17.0   too loud: 61/69
      3s   min -0.9  p50 +5.2  p95 +15.7  max +17.0   too loud: 57/69
     10s   min -1.5  p50 +2.9  p95 +14.6  max +17.0   too loud: 57/69

The head is wrong in one direction and wrong by a lot. So it may only ever
cut: `PRELIM_MAX_BOOST_DB` is 0.0, and a boost has to be earned by a
measurement that reached the end of the media.

**Cuts-only rather than the flat unity the design called for.** The design
doc's stated first-release policy is that an unknown partial stream stays at
0 dB, with cuts-only left as a later experiment. Measured against this
corpus, unity is the worse of the two in the direction being complained
about — first-play loudness relative to the −14 LUFS target:

    unity (doc's policy)     p50 +5.6  p95 +8.5  LOUDEST +10.6  >3dB over: 57/69
    cuts-only                p50 +2.7  p95 +6.7  LOUDEST  +8.0  >3dB over: 31/69
    old policy, capped +3    p50 +2.7  p95 +9.5  LOUDEST +11.0  >3dB over: 32/69
    verified (later plays)   p50 +0.0  p95 +0.0  LOUDEST  +0.0  >3dB over:  0/69

Unity would hand back the cut that loud-opening tracks already get today:
"Spread Eagle Cross the Block" reads −3.4 LUFS over its head and −3.4 over
the whole track, and is cut 10.6 dB — under unity its first play would be
10.6 dB louder than it is now, which is the reported bug wearing a different
hat. The tail risk that argues for unity is a loud opening over a quiet body,
where the head over-cuts; on this corpus that case tops out at 1.5 dB (My
Bloody Valentine, "Only Shallow": head −11.3, track −12.8) and the existing
−15 dB floor bounds it. The corpus is one library and contains no fortissimo
opening over a pianissimo body, so it bounds the error it can see, not the
error that exists. Revisit if a cut ever sounds wrong.

**Only a whole programme may be cached.** `analyze_loudness` returned the
same `Option<(f64, f32)>` whether it reached the end of the media or the
bytes simply stopped, and `on_track_started` stored it either way — with a
comment saying it was valid "whatever happened to this one". It is not:
`GrowingFile::read` maps an aborted transfer to `Ok(0)`, a graceful EOF, so
skipping a song mid-download recorded whatever its intro measured, filed
under the full declared remote size, and every later play boosted the whole
track off it by up to `MAX_GAIN_DB` — the same bug as above, but permanent
and three times larger. It now returns `Analysis::Complete | Incomplete`,
where completeness is decided by asking the transfer how it ended
(`StreamProgress::terminal`) rather than by asking a reader that cannot tell,
and only `Complete` reaches the cache, the preload boundary gain, or a
preview clip's gain.

That path was reachable but had not fired. Re-measuring every cached track
against its stored value found no disagreement, and of the ten interrupted
transfers still sitting in the stream cache, none had left a loudness entry
at all — the analyzer normally wins its race with the download and either
finishes properly or is cancelled before the abort reaches it. So the
existing cache is not quarantined and not wiped: of 141 entries only 6 ask
for any boost above 0.5 dB, four of those are present on disk and verified
correct by a fresh scan, and the other two ask +1.4 and +1.0 dB. Discarding
141 good measurements to protect against a hazard that measurement says is
not there would cost more than it saves, and any record that is wrong is
overwritten by the next complete play.

**The audible start is now bounded from the play request.** Both existing
windows are measured from the first measurement, and a track opening below
the −70 LUFS gate never produces one, so silence or a long fade-in held
playback until the analyzer found audio loud enough to measure — on a slow
stream, a wait with no upper bound. `PRELIM_HARD_DEADLINE` (2.5 s) releases
the start regardless, at the best cut the evidence so far justifies. This
costs nothing: the player blocks on the growing file anyway, so releasing
early hands it the start rather than making it wait. Verified against a
223 MB FLAC whose first bytes had not arrived at 2.2 s.

**Stop now cancels the measurement window.** Found while verifying the
deadline: `player_control("stop")` never touched the loudness generation, so
a track stopped during its window could be handed its deferred start a moment
later and begin playing after the user had stopped it. Pre-existing, but the
deadline makes it reliably reachable, so `on_playback_stopped` orphans the
analyzer and the held start.

Not done, and deliberately: true peak and the −1.0 dBTP ceiling (the meter
measures sample peak, so `PEAK_CEILING` is still 0.98 sample), the versioned
measurement cache with real asset identity, ReplayGain/R128 metadata, the
output limiter, track-bound gapless gain, and queue-ahead analysis. Those are
later phases and none of them is needed to stop the over-boost.

Verified live, driving the running app:

    quiet intro, first play    head −27.4 LUFS → 0.0 dB     (was +3.0 dB)
    quiet intro, second play   track −6.0 LUFS → −8.01 dB   from the cache
    loud intro, first play     head −3.4 LUFS  → −10.64 dB  cut still applied
    Soulseek stream, cold      head −18.8 LUFS → 0.0 dB, track measured −9.0
                               and cached for the next play without touching
                               the gain in force
    stop mid-window            no start behind the stop, no cache entry written

The debug overlay now names what the gain was decided from — "whole-track
measurement (cache)", "prefix (cut only)", "unity (nothing measured yet)" —
because the difference is invisible in the numbers alone, which is how this
went unnoticed. Settings no longer claims "boosts never clip", which nothing
in the output path enforces; it describes the actual guarantee instead. The
module header's claims that the gain glides mid-track and that previews are
not normalized were both false and are gone.

150 Rust tests and 85 JS tests pass.
2026-07-28 13:00:09 -05:00
KeelrLeek 86e0d86604 fix: preview crossfade no longer strands the main volume (silent playback)
Clicking a track could play silently: the store showed status=playing with
the position advancing and no error, but the sink was at volume 0. The
open/close crossfade ramped the main player's USER VOLUME as its fade
channel and left it at 0 on an ack timeout (or when a track change
suppressed the close resume). User volume persists across tracks and a new
Play doesn't reset it, so every later click played at 0 while the slider
still read 0.7.

Give the main player a separate fade_gain channel (Cmd::SetFadeGain, sink =
volume * norm * fade_gain), reset to 1 by every Play/Stop. The open/close
fades ramp fade_gain instead of set_volume (their volume arg is gone, JS
callers too), so the user volume is never touched -- store and backend can't
desync -- and a clicked track always resets fade_gain to 1, so it can never
be stranded silent. fade_resume lands exactly at 1. Player::fade_gain()
mirrors it into a report atomic; debug overlay shows main fade + this proved
the fix live (open 1->0, close 0->1, new track 1.0, volume steady at 0.7).

39 app + 12 player + 85 JS tests pass.
2026-07-23 17:31:06 -05:00
KeelrLeek 28aba3a3b3 feat: normalize preview clips to -14 LUFS to match the library
Deezer preview clips are cut from the raw master (not pre-normalized), so
they played several dB hotter than the user's normalized -14 LUFS files —
measured across one artist the previews ranged -0.1 to -8.8 dB from target,
an 8.7 dB spread, so a flat offset would have been wrong either way.

Each clip is now measured with the same BS.1770 meter the main player uses
(preview.rs measure_clip_gain -> loudness::normalization_gain_db) right after
it is written in preview_resolve -- off the async worker, and fully off the
playback path on a prefetched neighbour. The linear gain is stored in the
lease and the reuse cache, and rides UNDER the app-volume mirror per voice
(effective = target_vol * clip_gain), so it composes with the slider, mute
and the crossfade (each clip crosses in at its own matched level). Gated on
the volume_normalization setting; reset on dispose. Debug overlay PREVIEW row
now shows the active clip's norm dB.

Verified live: per-clip gains -0.1..-8.8 dB applied; mute still zeroes the
preview; 39 app + 12 player tests pass.
2026-07-23 17:12:04 -05:00
KeelrLeek 691fdcdc9a fix: previews follow the app volume; volume bar fill always accent
The preview backend never received a volume — clips played at the crate
default (0.7) regardless of the slider, even muted. The session now sets
the preview volume from the app store (mute → 0) before the first load and
mirrors it live while the modal is open; the debug overlay's PREVIEW row
exposes the backend's resting volume as proof.

The player-bar volume (and fallback seek) fill is now always the accent
color — matching the waveform scrubber's played region — stepping up to
the hover shade on hover instead of white-until-hover.

Also syncs package-lock to the soulstream name + alpha version.
2026-07-23 16:25:42 -05:00
KeelrLeek 793f78370e feat: crossfade preview suite, loudness normalization, debug overlay
Preview modal audio, five rounds:
- True track-change crossfade: scheduleSettle no longer silences the
  outgoing clip at t=0; preview_load's equal-power fade owns both ramps,
  gated on the incoming voice's first Playing event (audible_marks), with
  failure/overstay fallbacks. CROSSFADE_MS = 340 — locked to the reel's
  card-slide so audio and visuals land together.
- Two-neighbour lease prefetch + a 15-min on-disk clip byte-cache
  (recent_clips): steps in BOTH directions crossfade in ~15 ms; revisits
  never re-download.
- Adaptive settle (isolated steps fire immediately, bursts coalesce) and
  anticipatory auto-advance (step at clip end minus 400 ms) so auto-play
  crossfades over the tail instead of gapping.
- Session resume memory: revisited tracks continue where they left off
  (decoder-level start offset via play_local_from/resume_at); finished
  tracks restart from the top.
- Open/close crossfades with the MAIN player: fade-pause with the
  desired-paused latch landing at ramp end, fade-resume from the paused
  position; MAIN_FADE_GEN guards; focus handshake relaxation documented
  in focusBridge.

Volume normalization (Settings > Playback, default on):
- Dependency-free BS.1770/EBU R128 meter in the player crate (K-weighting,
  400 ms gated blocks, incremental) + analyzer that reads the same growing
  file playback streams from — first plays are measured at download speed.
- Gain layered under user volume; audible start GATED on a preliminary
  measurement (10 s of audio or 800 ms budget) so the level is right from
  the first sample and never changes mid-track; prelim boosts capped 3 dB,
  peak-aware clipping guard, persistent loudness-cache.json.
- Gapless boundaries get their own sample-accurate gain via
  SetNextNormGainDb, fed by preload analysis.

Debug overlay (Ctrl+Shift+D): process-tree CPU / PDH GPU / working-set +
private-commit RAM / network rates / FPS / current-track download progress
read from the backend's own StreamProgress / live normalization state /
preview session phase. Polls only while visible.

131 JS + player + app tests green; every path verified live over CDP.
2026-07-23 16:05:14 -05:00
KeelrLeek 8cb3cd593b Phase 2A+2B: native preview backend and renderer glue
Rust (2A):
- metadata: deezer_track_uncached (fresh mint, cache-updating, paced) and
  fetch_preview_media — dedicated client whose custom redirect policy
  re-validates every hop against the media allowlist; bounded body read
  (cap enforced on received bytes, not Content-Length's promise); Date
  header captured for provider-clock lease math. httpdate dep added.
- src-tauri/preview.rs: second Player instance + soulstream:preview event
  channel; preview_resolve (fresh mint → host gate → MIME gate → ID3v2
  shell strip → MPEG sync check → clip file + opaque lease id → safe_for_ms
  mirroring lease.js); preview_load with start_paused via the
  desired-paused latch; preview_control/dispose; player_pause_acked
  exposing the Phase 0.4 ack on the MAIN player. 9 unit tests.

JS (2B):
- api.js: preview command surface (opaque lease ids only).
- nativeTransport.js: stamps {sessionId, generation, sessionKey} onto
  backend events; cleared context makes stragglers dispatch nothing.
- productionResolver.js: DTO → MediaLease, failure classes preserved.
- focusBridge.js: production coordinator binding with the documented
  renderer-side generation invariant (buffering counter + gateway).
- service.js: the orchestrator — settle window, resolve→load→play under
  focus, single capped retry, one forward lease prefetch with safe-window
  expiry, stale re-checks before every transport command, close/handoff.
  The service constructs its transport around its own dispatch — the
  factory signature exists because a pre-built transport silently loses
  the event wiring (caught by test).

70 JS tests passing (npm test); metadata 46 + app preview 9 in cargo.
2026-07-22 18:45:29 -05:00